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Seeing and Shaping the World Through Art

High School, Interdisciplinary

Description of Unit

In this task, high school students will examine how art has been used to influence society in the past by critiquing works of art which display varied perspectives on a historical event of their choice. This unit incorporates social studies, English language arts, and fine arts. Through this process, students will learn the elements and principles of design of artwork and identify and evaluate the intent and success of the artists they study. Students will also experience the role of the artist by creating an original work of art which addresses a contemporary issue of concern and interest. They will present their work, justifying the development, intent, and technique used to convey their own unique message. 

This guide links the Seeing and Shaping the World Through Art unit to the Texas Essential Knowledge and Skills (TEKS) for high school. Seeing and Shaping the World Through Art is an interdisciplinary unit that incorporates social studies, English language arts, and fine arts. The unit allows students to understand multiple perspectives of historical events through the lens of art. The project culminates with the creation of an original work of art to display a perspective on a contemporary event or issue. The following document includes the applicable TEKS and the details of the Seeing and Shaping the World Through Art unit. The final section of this document presents the applicable Texas College and Career Readiness Standards adopted by the Texas Higher Education Coordinating Board (THECB) on January 24, 2008. 

Phase I. Learning Experiences

Students will be examining the relationship between the fine arts and history. A potential popular work to display may be George Washington Crossing the Delaware by Emanuel Leutze. Questions to be considered to access prior knowledge and stimulate discussion include the following:

  • Do you believe there is a connection between the arts and how history unfolds?
  • What examples of this connection can you think of?
  • Why might people attempt to use art to influence others?
  • Should art be used to influence political thought?
  • What power does art have to change the world?
  • What limits art from changing the world?

Students can examine these questions through a Stop and Jot, or Think, Turn, Talk. A detailed analysis of the painting and the influences of the author by the Metropolitan Museum of Art in New York.

Additionally, primary source documents from George Washington’s crossing can be accessed from the National Archives.

A sample lesson comparing and contrasting images of the crossing is also available at the Library of Congress.

George Orwell’s essay, “The Frontiers of Art and Propaganda,” discusses the connection between art and propaganda.

To assist students with the process of historical interpretation and artistic criticism, teachers are encouraged to model the following steps:

  1. Select a historical topic of interest (e.g., World War I).
  2. Research the topic by locating valid secondary sources which provide background information.
  3. Identify multiple perspectives involved in the event (e.g., views of government officials, views of soldiers).
  4. Identify a work of art which conveys one of the perspectives.
  5. Examine the contexts the artwork addresses using the language of a historian (e.g., social, political, religious, intellectual, technological, economic).
  6. Examine the key elements of the selected artwork (e.g., line, shape, color, texture, form, space, value).
  7. Examine the principles of design in the selected artwork (e.g., emphasis, repetition/pattern, movement/rhythm, contrast/variety, balance, proportion, unity).
  8. Evaluate the work to determine the perspective shown and intent of the artist.
  9.  Identify a work of art which conveys a differing perspective. Repeat steps 5–7 with this differing work.
  10. Have students explain which artist was most successful in conveying the message in the work of art and why. 

Khan Academy is a useful website for teachers to prepare for discussions of art and World War I. 

The Library of Congress has collections of art and propaganda posters, including a collection of World War I posters.

Phase II. Independent Research

A. Research process

  1. Selecting the topic. Students will select a historical event that interests them and locate 2–3 secondary sources describing the event. An important consideration is to guide students to select a topic on which they are able to locate valid sources. Possible questions may include:
    1. What is a historical event that interests you?
    2. What examples of secondary sources have you been able to locate to gain background information on the event and the individuals and groups involved?
    3. How have historical interpretations of this event changed over time?
    4. What perspectives are needed to gain the most complete understanding of the events

      Students will then identify the significant groups and individuals surrounding the event. The students will locate works of art which represent the perspectives of at least two of the groups involved.

      Possible questions to consider include: 
      • What examples of art and literature are available as primary sources to understand this event?
      • What collections (local or online) will you utilize to access these works of art? 
  2. Developing a research proposal. Students will submit a proposal with bibliographic entries for the sources located thus far. This bibliography will grow as the student develops additional questions and continues to research. Purdue Online Writing Lab is a useful resource with examples of annotated bibliographies.
  3. Asking guiding questions. Students will develop and answer questions as they proceed in their research. The following are examples of questions to guide the research process: 
    1. What contexts do the work of art address (e.g., social, political, religious, intellectual, technological, economic)? 
    2. What groups or individuals are displayed in the work? How are they portrayed? 
    3. What type of bias is present in the work? 
    4. When was the work created? Is there chronological significance to how groups or individuals are being portrayed? 
    5. Were there events which preceded the work which led to its creation? 
    6. What was going on at the time of its creation? 
    7. Is the work commemorating an event? 
    8. What are the elements of the work of art (e.g., line, shape, color, texture, form, space, value)? 
    9. How do these elements relate to the message the artist is trying to convey? 
    10. What principles of design are present in the selected artwork (e.g., emphasis, repetition/pattern, movement/rhythm, contrast/variety, balance, proportion, unity)? 
    11. What was the artist’s intent with the selected artwork? 
    12. What have other scholars said about the work of art? 
    13. How can you justify whether the artist was successful in conveying the message in the work of art? 
    14. What lasting impact did this work of art have? 
    15. How might works such as this one influence society over time? 
  4. Conducting research. Students will locate and read additional primary and secondary sources to obtain a more nuanced understanding of the contexts surrounding the event (e.g., social, political, religious, intellectual, technological, economic). 
  5. Sharing findings/conclusions. Students will submit a paper critiquing the selected works of art. This written critique will include the following: 
    1. Describe the elements of each work of art. 
    2. Analyze the principles of design present in each work of art. 
    3. Interpret the intentions of each artist. 
    4. Evaluate and compare the success of the artworks. 

B. The product

  1. Students will select a contemporary social issue which interests or concerns them.
  2. Students will research background information on the social issue of interest by locating valid primary and secondary sources.
  3. Students will explore suitability of art media and processes to express specific ideas about the topic of interest.
  4. Students will create an original artwork using multiple solutions from direct observation, original sources, experiences, and imagination in order to expand personal themes that demonstrate artistic intent.
  5. Students will communicate ideas through an original artwork using a variety of media with appropriate skills.


C. Communication

Students will evaluate and justify artistic decisions in their original artwork by presenting their work in a classroom or campus show.

D. A completed project consists of:

  1. A written critique of historical works of art
  2. A completed bibliography of the primary and secondary sources used in the research
  3. An original work of art which communicates a message about a selected issue

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