
Do Your Part for Art!
Kindergarten, Interdisciplinary
Description of Unit
This project generates a deeper understanding of art, and the student will gain a basic knowledge of artistic styles. Students will explore background information on three artists from the past and the styles of their art. The students will discover how the artists created their masterpieces and developed their own styles. Students will display their art in a classroom exhibition.
This guide links the Do Your Part for Art! unit to the Texas Essential Knowledge and Skills (TEKS) for kindergarteners. Do Your Part for Art! is an English language arts/interdisciplinary unit that allows students to explore and gain knowledge of three great artists and their artistic styles. Do Your Part for Art! has connections to many disciplines. For example, students identify, extend, and create patterns, as addressed in the Mathematics TEKS. They also understand similarities and differences among people, which the Social Studies TEKS require. The following document includes the applicable TEKS and the details of the Do Your Part for Art! unit. The final section of this document presents the applicable Texas College and Career Readiness Standards adopted by the Texas Higher Education Coordinating Board (THECB) on January 24, 2008.
Goals
Students will meet these goals in their explorations:
- Become familiar with three artists and their styles
- Use art vocabulary to describe and analyze works of art
- Create works of art in various styles and in an original style
- Develop the essential skills of logical thinking, creative problem solving, intellectual risk taking, and communicating
- Ask questions and explore theories
- Have opportunities to generate new ideas
Descripción de la unidad
Este proyecto genera un entendimiento más profundo del arte y el estudiante adquirirá conocimiento básico de estilos artísticos. Los estudiantes explorarán información general de tres artistas del pasado y los estilos de sus obras de arte. Los estudiantes descubrirán cómo los artistas crearon sus obras maestras y cómo desarrollaron sus propios estilos. Los estudiantes exhibirán su arte en una exhibición en el salón de clase.
Esta guía enlaza la unidad de ¡Haz tu parte para el arte! con los Conocimientos y destrezas esenciales de Texas (siglas en inglés – TEKS) para Kindergarten. ¡Haz tu parte para el arte! es una unidad de Artes de lenguaje en inglés e interdisciplinaria que permite que los estudiantes exploren y aumenten su conocimiento de tres gran artistas y sus estilos artísticos. ¡Haz tu parte para el arte! hace conexiones con muchas disciplinas. Por ejemplo, los estudiantes identifican, extienden y crean patrones como se indican en los TEKS de Matemáticas. También comprenden las semejanzas y las diferencias entre personas como se requieren por los TEKS de Estudios sociales. El documento a continuación incluye los TEKS aplicables y los detalles de la unidad ¡Haz tu parte para el arte! La última sección de este documento presenta los Estándares de preparación para la universidad y las carreras adoptados por el Texas Higher Education Coordinating Board (siglas en inglés, THECB) el 24 de enero de 2008.
Phase I. Learning Experiences
- In the art center, students identify colors, textures, forms, and subjects in the environment.
- In large group settings, students learn biographical information about each artist.
- In teacher-led discussions and large and small group activities, students:
- Identify simple subjects expressed in each artist’s works
- Express ideas about works of art by each artist
- Relate colors, textures, forms, and subjects to the environment. Sample questions:
- What do you notice first?
- What colors do you see?
- What objects (e.g., apple, vase, book) do you see? What shapes are they?
- What are the people in the picture doing? How do you know?
- Do the people in the picture look happy, sad? How can you tell?
- What do you think will happen next?
- Explain how the artist’s work was created (pastel, brush, crayon, paint, collage). How does it make you feel?
- In the art center, students create works of art, mimicking the style of each artist (e.g., Seurat—hole punches) using a variety of colors, forms, and lines.
- In a teacher-led, large group activity, students express ideas about their own personal artwork and the artwork of peers. Repeat steps 2-5 for two other artists who work in various styles.
- In the art or reading center, have available books of artwork by other artists not studied.
Resources
Getting to Know the World’s Greatest Artists by Mike Venezia
The Annotated Mona Lisa: A Crash Course in Art History by Carol Strickland and John Boswell
Linnea in Monet's Garden by Cristina Bjork and Lena Anderson
Pablo Picasso: Breaking All the Rules by True Kelley
Uncle Andy's: A FAABBBULOUS VISIT WITH ANDY WARHOL by James Warhola
Frida by Jonah Winter and Ana Juan
My Name is Georgia: A Portrait by Jeannette Winter
Examples of Artists to Study
Piet Mondrian An abstract artist who created pictures to express feelings and thoughts through straight lines and simple colors
Georges Seurat A French Impressionist who invented Pointillism, using only tiny dots of paint and no brush strokes or lines
Hans Arp A Dadaist, later known as a Surrealist, who invented a new kind of collage technique in which paper squares were dropped on a larger sheet of paper without knowing where they would land; known as the “Muse of Chance Collage”
Jackson Pollock An American artist who pioneered a technique in which paint is poured onto the canvas
Phase II. Independent Research
A. Research process
- Provide students with a sampling of their previously created artworks in each style.
- Ask guiding questions to help students clarify their choices leading to their own style.
- Distribute art supplies to students.
- Provide students work time to create their own masterpieces.
- Set up an exhibition.
- Ask the students to explain the piece they created using specific vocabulary, such as color, form, and line and answer questions about their own works of art.
- Prompt students to clarify which elements in their work mean the most to them and why they made those choices.
- Allow each student to respond to other students’ works of art.
B. The product
Each student creates an original work of art about their environment, using their knowledge of other artists' work and their new understanding of color, textures, form, and content to begin to create their own style. The class will set up an exhibition.
C. Communication
Each student presents an original work to his/her classmates using appropriate vocabulary. The student should take any questions or comments at the end of the presentation. The Q&A session should be impromptu and unscripted to accurately assess student learning.
D. A completed project consists of
- the student's original art and
- a videotape or audiotape of the class presentation, including the Q&A session.
Credit to Mandy Smetana, Region 15 Education Service Center
Fase I. Experiencias de aprendizaje
- En el centro de arte, los estudiantes identifican colores, texturas, formas y objetos en el ambiente.
- En grupos grandes, los estudiantes aprenden información biográfica sobre cada artista.
- En discusiones guiadas por el maestro y actividades en grupos grandes y pequeños, los estudiantes:
- identifican objetos sencillos que se expresan en cada obra del artista;
- expresan ideas sobre las obras de arte de cada artista; y
- relacionan los colores, las texturas, las formas y los objetos en el ambiente.
- ¿Qué observas primero?
- ¿Qué colores ves?
- ¿Qué objetos (e.g., manzana, florero, libro) ves? ¿Qué forma tienen?
- ¿Qué hacen las personas en el cuadro? ¿Cómo lo sabes?
- ¿Están contentas o tristes las personas en el cuadro? ¿Cómo lo sabes?
- ¿Qué piensas que ocurrirá ahora?
- Explica cómo la obra del artista fue creada (con pastel, pincel, crayón, pintura, collage). ¿Qué sientes?
- En el centro de arte, los estudiantes crean obras de arte, imitando el estilo de cada artista (e.g, Seurat – puntitos) utilizando una variedad de colores, formas y líneas.
- En una actividad de grupo grande y guiada por el maestro, los estudiantes expresan ideas sobre su arte personal y el arte de sus compañeros.
Repita los pasos 2 a 5 para los otros dos artistas que trabajan con varios estilos. - En el centro de arte o de lectura, haga disponible libros de arte de otros artistas que no se estudiaron.
Fase II. Investigación independiente
A. Proceso de investigación
- Proporcione a los estudiantes ejemplos previos de sus obras de arte en cada estilo.
- Haga preguntas orientadoras para ayudar a los estudiantes a clarificar sus selecciones que los guíen a su propio estilo.
- Distribuya materiales de arte a los estudiantes.
- Proporcione tiempo a los estudiantes para que creen sus propias obras de arte.
- Organice una exhibición.
- Pídales a los estudiantes que expliquen la obra que crearon usando vocabulario específico, tales como color, forma y línea y que contesten preguntas acerca de sus propias obras de arte.
- Pídales a los estudiantes que clarifiquen qué elementos en sus obras tienen más significado para ellos y por qué hicieron esas selecciones.
- Permita que cada estudiante responda a las obras de arte de los otros estudiantes.
B. El producto
Cada estudiante crea una obra de arte original sobre su ambiente utilizando su conocimiento de las obras de los otros artistas y su entendimiento nuevo de color, textura, forma y contenido para comenzar a crear su propio estilo. La clase organizará una exhibición.
C. Comunicación
Cada estudiante presenta una obra original a sus compañeros de clase usando vocabulario apropiado. El estudiante debe contestar preguntas o aceptar comentarios al fin de su presentación. La sesión de P & R (preguntas y respuestas) debe ser improvisada y sin preparación para poder evaluar su aprendizaje con exactitud.
D. Un proyecto terminado debe consistir:
1. del arte original del estudiante y
2. de un video o una grabación auditiva de la presentación a la clase, incluyendo la sesión de P & R.
Elicit
Ask students whether or not they have visited a museum before. Have students keep their hands in the air if the museum was an art museum. Ask students, “What is a museum? What makes a museum different from other kinds of spaces? How is an art museum different from other kinds of museums?” Students share their experiences with the class.
Engage
Project or pass out printed copies of at least three famous works of
art. Lead the class in a large group discussion about the photos using
open-ended questions such as the following.
"Have you seen some of these works of art before? If so, what do you
know about them? What do you notice about the artwork? What
does the artwork look like? What colors can you identify? What
textures or shapes do you see? In what ways does the artwork look
like something you see every day? What parts of the artwork look like
nothing you’ve ever seen before?"
Break students into small groups to explore the artwork further.
"Imagine you are a detective who studies how past artists made their
works—how do you think the artwork was created? What did the
artist do first, second, last? If you had to create this artwork, how
might you do it?"
"How long do you think people have been creating art? What are some ways people can create art? Why do you think people create art?" Ask students to choose the piece they like the best and give reasons why.
Explore
Take a field trip to an art museum or gallery and/or create a mini art
museum in centers or in a series of classroom activities.
In the activities, students will observe works of art and photos of the
artists and other objects related to each person. Students will be
asked to create works of art inspired by the artists. These works of art
will be displayed on the wall of the classroom or somewhere in the
school. These could be done as individual activities, with the teacher reading a book related to the artist before the activity, if time allows.
Alternatively, students may choose one or two activities to
participate in small groups or centers.
Activity ideas:
Georges Seurat—Students observe artwork by Seurat, such as A
Sunday Afternoon on the Island of La Grande Jatte and Eiffel Tower.
Students then create their own art piece using glue and different
color hole punches on a large piece of paper.
Hieronymus Bosch—Students observe examples of Bosch’s work such
as Ship of Fools. Students then create their own art piece by folding a
piece of paper in half and drawing the side of a vase on both sides.
The half vase should cover the entire page, starting at the top corner
and making curves all the way down to the bottom. They use these
lines to create the profiles of two grotesque figures, using the curves
as their noses, mouths, and chins, trying to make them as ugly as they
can. Students use the blank space in the middle of their paper to
create another face.
Recommended book: Pish, Posh, Said Hieronymus Bosch by Nancy
Willard
Emily Carr—Students observe examples of Carr’s work, such as A
Rushing Sea of Undergrowth, Cedar, and Totem Walk at Sitka.
Students use brown and green paint to draw trees, using Carr’s work
as inspiration.
Recommended book: Beloved Land: The World of Emily Carr by Emily
Carr
Marc Chagall—Students observe Marc Chagall’s painting I and the
Village. Students draw an X on a piece of paper, connecting adjacent
corners. Using as much of each triangle as possible, students should
fill each with one of the following: the profile of a person, the profile
of an animal, what the person is thinking or dreaming about, and what
the animal is dreaming or thinking about.
Recommended books: Marc Chagall: Life is a Dream by Marc Chagall
and Dreamer from the Village: The Story of Marc Chagall by Michelle
Markell.
Explain
After the center activities, students reflect in a large group on
observations they made about each artist’s work. Ask questions such
as the following. “What was different? What did you like? How do
you think the artist’s work was created? What art materials do you
think were used—pastel, brush, crayon, paint, collage? What do you think inspired or influenced these artists? What were they trying to
say through their artworks?”
Students choose their favorite from the art pieces they created and present it to a small group of their peers, describing what inspired them, tools or techniques used, and why they are proud of this work.
Explore
Gather a variety of art materials for students to experiment with.
Introduce students to different types of paper, paint, size and shapes
of brushes, clay, pencils, chalk, or anything students will have access
to that could be used to create art. You may wish to refer back to the
earlier discussion about which art materials were used to create the
work displayed in centers. Do students’ opinions about the materials
used by the artists change after their own experimentation?
Ask students to identify any preferences or feelings they have about the tools or materials. Students make a list of the art materials they enjoyed using the most.
Explain
With the class, start a list of words used when creating and discussing art. This list can be created on the board or on chalk paper. Students can add to the list throughout the activities. The class may choose to add definitions or pictures for each word.
Elaborate (Phase II)
Students create an original work of art inspired by their exploration in class. To introduce the project, read The Dot by Peter H Reynolds and lead students in a discussion of creativity and how creating art can be challenging. Talk with them about developing their own style of art.
Research process
- Provide students with a sampling of their previously created artworks in each style.
- Ask guiding questions to help students clarify their choices leading to their own style.
- Distribute art supplies to students.
- Provide students work time to create their own masterpieces.
- Prepare to set up an exhibition.
- Ask the students to explain the piece they created using specific vocabulary, such as color, form, and line and answer questions about their own works of art.
- Prompt students to clarify which elements in their work mean the most to them and why they made those choices.
- Allow each student to respond to other students’ works of art.
Explain
The product
Each student creates an original work of art about their environment, using their knowledge of other artists' work and their new understanding of color, textures, form, and content to begin to create their own style. The class will set up an exhibition to display works of art.
Communication
Each student presents an original work to his or her classmates using appropriate vocabulary. The student should take any questions or comments at the end of the presentation. The Q&A session should be impromptu and unscripted to accurately assess student learning.
Evaluate
Use the TPSP Primary Rubric to assess each student’s learning. Additionally, you may wish to develop self- or peer-assessments based on the rubric that students could use to evaluate their products. Use of peer-assessments should be prefaced by discussion about respecting others’ opinions and work.
A completed project consists of
- the student's original art and
- a videotape or audiotape of the class presentation, including the Q&A session.
In what ways did the student
- develop sophisticated, open-ended questions about the self-selected topic;
- use a variety of sources that access advanced content and include multiple perspectives;
- collect data using the tools of the discipline;
- analyze and interpret the data;
- capture and apply their analysis through an original product; and
- communicate his or her research findings, learning, and ideas to an audience using the language of the discipline?
Extend
After students have completed their project, the following activities
can be used to reflect on their work and extend learning.
Students can partner with one another and create art based on a
common theme or artistic inspiration.
You can work with students to create a video slide show of student
artwork.
Students can partner with a local artist to get advice or inspiration, or create a work of art together.
English Language Arts
Take a trip to the library and ask students to find a book about an
artist they admire. Ask students to write a summary of the book and
share it with the class.
Science/Social Studies
Students research the work of Leonardo Da Vinci. The teacher poses
the question: “Was Leonardo Da Vinci a great scientist or a talented
artist?” Students can choose which side they are on and then
conduct research to prepare for a class debate. The class debates
both points, presenting evidence for each side.
Math
During the Renaissance, several artists used simple grids and
mathematically-based devices to accurately portray scenes on a flat
surface, according to the principles of linear perspective. Several of
Albrecht Dürer's engravings give a glimpse of these techniques. Ask
students to observe his work and if they can identify the “magic
square” he used to create his work.
Additional Resources
Getting to Know the World’s Greatest Artists by Mike Venezia
The Annotated Mona Lisa: A Crash Course in Art History by Carol Strickland and John Boswell
Linnea in Monet's Garden by Cristina Bjork and Lena Anderson
Pablo Picasso: Breaking All the Rules by True Kelley
Uncle Andy's: A FAABBBULOUS VISIT WITH ANDY WARHOL by James Warhola
Frida by Jonah Winter and Ana Juan
My Name is Georgia: A Portrait by Jeannette Winter
Credit to Mandy Smetana, Region 15 Education Service Center
Students are encouraged to work with their teachers and parents/guardians to conduct the research necessary to support and enhance each task, following local district guidelines. Online resources like The Smithsonian Museum, The Library of Congress, The Texas State Archives, Texas State Historical Association, and National Geographic’s Kids offer information on a variety of topics and could serve as a good starting place.
Obtener
Pregúnteles a los estudiantes si han visitado un museo anteriormente. Dígales a los estudiantes que mantegan las manos arriba si era un museo de arte. Pregúnteles a los estudiantes, “¿Qué es un museo? ¿Cómo es un museo diferente de otros espacios? ¿Cómo es un museo de arte diferente de otros museos?” Los estudiantes comparten sus experiencias con la clase.
Involucrar
Proyecte o distribuya copias de a lo menos tres obras famosas de arte. Guíe a la clase en una discusión en grupo grande sobre las fotografías usando preguntas abiertas como las que siguen.
“¿Han visto estas obras de arte anteriormente? Si las han visto, ¿qué saben sobre ellas? ¿Qué observan sobre las obras de arte? ¿De qué consiste la obra de arte? ¿Qué colores pueden identificar? ¿Qué texturas o formas ven? ¿De qué manera parecen las obras de arte cosas que ven todos los días? ¿Qué partes de las obras de arte no se parecen a nada que hayan visto anteriormente?”
Ponga a los estudiantes en grupos pequeños para que sigan explorando las obras de arte. Imagínense que ustedes son detectives que estudian cómo los artistas de más antes desarrollaban sus obras. ¿Cómo creen que crearon la obra de arte? ¿Qué hizo primero el artista? ¿Segundo? ¿Finalmente? Si ustedes tuvieran que crear esta obra de arte, ¿cómo la podrían crear?
“¿Por cuánto tiempo creen que las personas han creado obras de arte? ¿De qué manera puede crear arte la gente? ¿Por qué creen que la gente crea arte?” Pídales a los estudiantes que escojan la obra que más les gusta y que digan por cuáles razones les gusta.
Explorar
Tomen una excursión a un museo de arte o a una galería y/o creen un museo de arte pequeño en centros de aprendizaje o en una serie de actividades.
En las actividades, los estudiantes observarán las obras de arte y las fotografías de los artistas y otros objetos relacionados con cada persona. Pídales a los estudiantes que creen obras de arte inspiradas por los artistas. Estas obras de arte se exhibirán en el salón de clase o en alguna parte de la escuela. Esto se puede hacer en actividades individuales, con el maestro leyendo un libro relacionado con el artista antes de la actividad, si el tiempo lo permite. Alternativamente, los estudiantes pueden escoger una o dos actividades para participar en grupos pequeños o en centros.
Ideas para actividades:
George Seurat – Los estudiantes observan las obras de arte de Seurat, tales como A Sunday Afternoon on the island of Grande Jatte y Eifffel Tower. Los estudiantes crean su propia obra de arte utilizando pegamento y puntitos de varios colores en un trozo grande de papel.
Hieronymus Bosch – Los estudiantes observan ejemplos del trabajo de Bosch tal como Ship of Fools. Los estudiantes crean su propia obra de arte doblando una hoja de papel por la mitad y dibujando el lado de un florero en ambos lados del papel. La mitad del florero debe cubrir la hoja entera comenzando en la esquina superior y dibujando curvas hasta la parte inferior de la página. Ellos usan estas líneas para crear los perfiles de dos figuras grotescas, usando las curvas para las narices, las bocas y los mentones, tratando de hacerlos lo más feo posible. Los estudiantes usan los espacios en blanco en la mitad del papel para crear otra cara.
Libro recomendado: Pish, Psh, Said Hieronymus Bosh por Nancy Willard
Emily Carr – Los estudiantes observan los ejemplos de arte de Carr tales como A Rushing Sea of Undergrowth, Cedar y Totem Walk at Sitka. Los estudiantes usan pintura parda y verde para dibujar los árboles usando el trabajo de Carr como inspiración.
Libro recomendado: Beloved Land: The World of Emily Carr por Emily Carr
Marc Chagall – Los estudiantes observan la pintura de Marc Chagall I and the Village. Los estudiantes marcan una X en una hoja de papel conectando las esquinas adyacentes. Usando la mayor parte de cada triángulo, los estudiantes deben llenar cada uno con uno de los siguientes: el perfil de una persona, el perfil de un animal, lo que está pensando o soñando la persona y lo que está pensando o soñando el animal.
Libros recomendados: Marc Chagall: Life is a Dream por Marc Chagall y Dreamer from the Village: The Story of Marc Chagall por Michelle Markell.
Explicar
Después de las actividades en los centros de aprendizaje, los estudiantes, en grupo grande, reflejan sobre las observaciones que hicieron acerca de la obra de cada artista. Haga preguntas tales como: “¿Qué era diferente? ¿Qué les gustó? ¿Cómo creen que se creó la obra del artista? ¿Qué materiales de arte creen que usó – pasteles, pincel, crayón, pintura, collage? ¿Qué creen que inspiró o influenció a los artistas? ¿Qué trataban de expresar a través de sus obras de arte?”
Los estudiantes escogen su obra favorita de las obras que crearon y la presentan a un grupo pequeño de sus compañeros, describiendo lo que les inspiró, los instrumentos o las técnicas que usaron y por qué están orgullosos de su obra.
Explorar
Recopile una variedad de materiales de arte con los cuales los estudiantes pueden experimentar. Introduzca a los estudiantes a una variedad de papel, pinturas, tamaño y formas de pinceles, barro, lápices, tiza o cualquier cosa que los estudiantes puedan usar para crear su arte. Pueda que Ud. quiera regresar a la discusión anterior sobre los materiales de arte que se usaron para crear las obras exhibidas en los centros de aprendizaje. ¿Cambiaron los estudiantes sus opiniones sobre los materiales que usaron los artistas después de hacer sus propias experimentaciones?
Pídales a los estudiantes que identifiquen sus preferencias o sus sentimientos sobre los instrumentos o los materiales. Los estudiantes hacen una lista de los materiales de arte que más disfrutaron.
Explicar
Con la clase, comience una lista de palabras que se usan cuando crean o discuten el arte. Esta lista se puede crear en el pizarrón o en papel de tiza. Los estudiantes pueden agregar palabras a la lista a través de las actividades. La clase puede agregar definiciones o ilustraciones de cada palabra.
Elaborar (Fase II)
Los estudiantes crean una obra de arte original inspirada por su exploración en la clase. Para introducir el proyecto, lea The Dot por Peter H. Reynolds y guíe a los estudiantes en una discusión sobre la creatividad y cómo puede ser desafiante crear arte. Hable con los estudiantes sobre el desarrollo de su propio estilo de arte.
Proceso de investigación
- Proporcione a los estudiantes ejemplos de sus obras de arte creadas anteriormente en cada estilo.
- Haga preguntas orientadoras para ayudarles a los estudiantes a clarificar sus selecciones que los guíen a su propio estilo.
- Distribuya los materiales de arte a los estudiantes.
- Proporcione a los estudiantes tiempo para crear sus propias obras de arte.
- Prepárese para montar la exhibición.
- Pídales a los estudiantes que expliquen la obra que crearon usando vocabulario específico tales como color, forma y línea y que contesten preguntas sobre sus obras de arte.
- Pídales a los estudiantes que clarifiquen qué elementos de su arte son más significantes para ellos y por qué hicieron esas selecciones. Permita que cada estudiante responda a las obras de arte de los otros estudiantes.
Explicar
El producto
Cada estudiante crea una obra de arte original sobre su ambiente usando su conocimiento de arte de otros artistas y su entendimiento de color, texturas, forma y contenido para comenzar a crear su propio estilo. La clase montará una exhibición para exhibir las obras de arte.
Comunicación
Cada estudiante presenta una obra de arte a sus compañeros de clase usando vocabulario apropiado. Los estudiantes aceptarán preguntas o comentarios al fin de la presentación. La sesión de P & R (preguntas y respuestas) debe ser improvisada y sin preparación para poder evaluar el aprendizaje del estudiante con exactitud.
Evaluar
Use la Rúbrica de primaria de TPSP para evaluar el aprendizaje de cada estudiante. También, puede desarrollar una autoevaluación o una evaluación entre pares basada en la rúbrica y que los estudiantes podrían usar para evaluar sus propios productos. El uso de evaluaciones entre pares debe ser precedido por una discusión sobre el respeto del trabajo y las opiniones de otros.
Un proyecto terminado incluye todo lo siguiente:
- el arte original del estudiante y
- un video o una grabación auditiva de la presentación a la clase incluyendo la sesión de P & R.
¿De qué modo:
- desarrolló el estudiante preguntas abiertas y sofisticadas sobre el tema que escogió?
- usó el estudiante una variedad de fuentes para acceder contenido avanzado e incluir múltiples perspectivas?
- recopiló datos el estudiante usando los instrumentos de la disciplina?
- analizó e interpretó el estudiante los datos?
- captó y aplicó el estudiante su análisis a través de un producto original?
- comunicó el estudiante sus hallazgos de investigación, aprendizaje e ideas a un público usando el lenguaje de la disciplina?
Extender
Después de que los estudiantes hayan completado sus proyectos, las siguientes actividades se pueden usar para reflejar sobre su trabajo y su aprendizaje extendido.
Los estudiantes pueden colaborar uno con otro y crear arte basado en un tema común o en una inspiración artística.
Usted puede trabajar con los estudiantes para crear una presentación de sus obras de arte.
Los estudiantes pueden colaborar con un artista de la comunidad para obtener consejos o inspiración o para crear juntos una obra de arte.
Artes de lenguaje en inglés
Tomen una excursión a la biblioteca y pídales a los estudiantes que busquen un libro sobre un artista que admiran.
Ciencia y Estudios sociales
Los estudiantes investigan el trabajo de Leonardo Da Vinci. El maestro pregunta: “¿Fue Leonardo Da Vinci un gran científico o un artista talentoso?” Los estudiantes pueden escoger uno u otro y luego conducen su investigación para prepararse para un debate en la clase. La clase debate ambos puntos de vista presentando evidencia de cada punto de vista.
Matemáticas
Durante el Renacimiento, varios artistas utilizaron unas cuadrículas sencillas y aparatos matemáticos para representar escenas con exactitud en una superficie plana, según los principios de perspectivas lineales. Varios grabados de Albrecht Dürer nos dan un vistazo de estas técnicas. Pídales a los estudiantes que observen su trabajo y pregúnteles si pueden identificar “el cuadrado mágico” que él usó para crear su obra.
Fuentes
Getting to Know the World’s Greatest Artists por Mike Venezia
The Annotated Mona Lisa: A Crash Course in Art History por Carol Strickland y John Boswell
Linnea in Monet's Garden por Cristina Bjork y Lena Anderson
Pablo Picasso: Breaking All the Rules por True Kelley
Uncle Andy's: A FAABBBULOUS VISIT WITH ANDY WARHOL por James Warhola
Frida por Jonah Winter y Ana Juan
My Name is Georgia: A Portrait por Jeannette Winter
Directorio de Miembros de Museos de la Alianza Americana
http://ww2.aam-us.org/about-museums/find-a-museum?_ga=2.60722669.1962289919.1611938329-1997620310.1611938329&_gac=1.14175813.1611938329.CjwKEAjwkK6wBRCcoK_tiOTzFASJAC7RAriuq0Ji7S-jy4GysRc2l63X-4sQQ11LiGLqWUTPyTXdhoCQvrw_wcB
Pinturas famosas
http://www.gardenofpraise.com/art.htm
Rocorrido virtual en línea del Louvre
http://www.louvre.fr/en/visites-en-ligne
Kinder Art: Oh My Gosh, It’s a Bosch
https://kinderart.com/art-lessons/arthistory/oh-my-gosh-its-a-bosch/
Kinder Art: Daydreaming with Chagall
https://kinderart.com/art-lessons/arthistory/daydreaming-with-marc-chagall/
National Gallery of Art Kids
http://www.nga.gov/content/ngaweb/education/kids.html
Dürer's Magic Square
http://mathworld.wolfram.com/DuerersMagicSquare.html
Reconocimiento: Mandy Smetana, Region 15 Education Service Center
This unit may address the following TEKS.
111.2, Mathematics, Kindergarten
- 111.2(b)(1)
- Mathematical process standards. The student uses mathematical processes to acquire and demonstrate mathematical understanding.
- 111.2(b)(2)
- Number and operations. The student applies mathematical process standards to understand how to represent and compare whole numbers, the relative position and magnitude of whole numbers, and relationships within the numeration system.
- 111.2(b)(3)
- Number and operations. The student applies mathematical process standards to develop an understanding of addition and subtraction situations in order to solve problems.
- 111.2(b)(6)
- Geometry and measurement. The student applies mathematical process standards to analyze attributes of two-dimensional shapes and three-dimensional solids to develop generalizations about their properties.
- 111.2(b)(7)
- Geometry and measurement. The student applies mathematical process standards to directly compare measurable attributes.
- 111.2(b)(8)
- Data analysis. The student applies mathematical process standards to collect and organize data to make it useful for interpreting information.
117.102, Art, Kindergarten
- 117.102(b)(1)
- Foundations: observation and perception. The student develops and expands visual literacy skills using critical thinking, imagination, and the senses to observe and explore the world by learning about, understanding, and applying the elements of art, principles of design, and expressive qualities. The student uses what the student sees, knows, and has experienced as sources for examining, understanding, and creating artworks.
- 117.102(b)(2)
- Creative expression. The student communicates ideas through original artworks using a variety of media with appropriate skills. The student expresses thoughts and ideas creatively while challenging the imagination, fostering reflective thinking, and developing disciplined effort and progressive problem-solving skills.
- 117.102(b)(3)
- Historical and cultural relevance. The student demonstrates an understanding of art history and culture by analyzing artistic styles, historical periods, and a variety of cultures. The student develops global awareness and respect for the traditions and contributions of diverse cultures.
- 117.102(b)(4)
- Critical evaluation and response. The student responds to and analyzes artworks of self and others, contributing to the development of lifelong skills of making informed judgments and reasoned evaluations.
113.11, Social Studies, Kindergarten
- 113.11(b)(2)
- History. The student understands how historical figures, patriots, and good citizens helped shape the community, state, and nation.
- 113.11(b)(11)
- Culture. The student understands similarities and differences among people.
- 113.11(b)(15)
- Social studies skills. The student communicates in oral and visual forms.
- 113.11(b)(16)
- Social studies skills. The student uses problem-solving and decision-making skills, working independently and with others, in a variety of settings.
128.2., Spanish Language Arts and Reading, Kindergarten, Adopted 2017
- 128.2(b)(2)
- Developing and sustaining foundational language skills: listening, speaking, reading, writing, and thinking--beginning reading and writing. The student develops word structure knowledge through phonological awareness, print concepts, phonics, and morphology to communicate, decode, and spell.
- 128.2(b)(5)(G)
- evaluate details to determine what is most important with adult assistance;
- 128.2(b)(5)(H)
- synthesize information to create new understanding with adult assistance
- 128.2(b)(6)(E)
- interact with sources in meaningful ways such as illustrating or writing
- 128.2(b)(6)(F)
- respond using newly acquired vocabulary as appropriate.
- 128.2(b)(6)(C)
- use text evidence to support an appropriate response;
- 128.2(b)(10)(D)
- edit drafts with adult assistance using standard Spanish conventions, including:
- 128.2(b)(12)(E)
- use an appropriate mode of delivery, whether written, oral, or multimodal, to present results.
- 128.2(b)(3)(C)
- identify and use words that name actions; directions; positions; sequences; categories such as colors, shapes, and textures locations.
- 128.2(b)(8)
- Multiple genres: listening, speaking, reading, writing, and thinking using multiple texts--genres. The student recognizes and analyzes genre-specific characteristics, structures, and purposes within and across increasingly complex traditional, contemporary, classical, and diverse texts.
- 128.2(b)(8)(D)(ii)
- titles and simple graphics to gain information
- 128.2(b)(8)(D)(iii)
- the steps in a sequence with adult assistance;
- 128.2(b)(1)(B)
- restate and follow oral directions that involve a short, related sequence of actions;
- 128.2(b)(1)(A)
- listen actively and ask questions to understand information and answer questions using multi-word responses;
- 128.2(b)(1)(C)
- share information and ideas by speaking audibly and clearly using the conventions of language;
Esta unidad puede abordar los siguientes TEKS.
111.2, Mathematics, Kindergarten
- 111.2(b)(1)
- Estándares de procesos matemáticos. El estudiante utiliza procesos matemáticos para adquirir y demostrar comprensión matemática.
- 111.2(b)(2)
- Números y operaciones. El estudiante aplica los estándares de procesos matemáticos para comprender cómo se representan y comparan números enteros, la posición relativa y la magnitud de los números enteros y las relaciones dentro del sistema de numeración.
- 111.2(b)(3)
- Números y operaciones. El estudiante aplica los estándares de procesos matemáticos para desarrollar comprensión de situaciones en las que se necesita sumar y restar que le permita resolver problemas.
- 111.2(b)(6)
- Geometría y medición. El estudiante aplica los estándares de procesos matemáticos para analizar los atributos de figuras de dos dimensiones y sólidos de tres dimensiones que le permita hacer generalizaciones acerca de sus propiedades.
- 111.2(b)(7)
- Geometría y medición. El estudiante aplica los estándares de procesos matemáticos para comparar directamente atributos medibles.
- 111.2(b)(8)
- Análisis de datos. El estudiante aplica los estándares de procesos matemáticos para reunir y organizar datos que le permitan utilizarlos al interpretar información.
117.102, Art, Kindergarten
- 117.102(b)(1)
- Foundations: observation and perception. The student develops and expands visual literacy skills using critical thinking, imagination, and the senses to observe and explore the world by learning about, understanding, and applying the elements of art, principles of design, and expressive qualities. The student uses what the student sees, knows, and has experienced as sources for examining, understanding, and creating artworks.
- 117.102(b)(2)
- Creative expression. The student communicates ideas through original artworks using a variety of media with appropriate skills. The student expresses thoughts and ideas creatively while challenging the imagination, fostering reflective thinking, and developing disciplined effort and progressive problem-solving skills.
- 117.102(b)(3)
- Historical and cultural relevance. The student demonstrates an understanding of art history and culture by analyzing artistic styles, historical periods, and a variety of cultures. The student develops global awareness and respect for the traditions and contributions of diverse cultures.
- 117.102(b)(4)
- Critical evaluation and response. The student responds to and analyzes artworks of self and others, contributing to the development of lifelong skills of making informed judgments and reasoned evaluations.
113.11, Social Studies, Kindergarten
- 113.11(b)(2)
- Historia. El estudiante entiende la manera en que los personajes históricos, los patriotas y los buenos ciudadanos ayudaron a formar la comunidad, el estado y la nación.
- 113.11(b)(11)
- Cultura. El estudiante entiende las similitudes y diferencias entre las personas.
- 113.11(b)(15)
- Destrezas de los estudios sociales. El estudiante se comunica en forma oral y visual.
- 113.11(b)(16)
- Destrezas de los estudios sociales. El estudiante utiliza habilidades para resolver problemas y tomar decisiones, en forma independiente y con otros, en diferentes ambientes.
128.2., Spanish Language Arts and Reading, Kindergarten, Adopted 2017
- 128.2(b)(2)
- Developing and sustaining foundational language skills: listening, speaking, reading, writing, and thinking--beginning reading and writing. The student develops word structure knowledge through phonological awareness, print concepts, phonics, and morphology to communicate, decode, and spell.
- 128.2(b)(5)(G)
- evaluate details to determine what is most important with adult assistance;
- 128.2(b)(5)(H)
- synthesize information to create new understanding with adult assistance
- 128.2(b)(6)(E)
- interact with sources in meaningful ways such as illustrating or writing
- 128.2(b)(6)(F)
- respond using newly acquired vocabulary as appropriate.
- 128.2(b)(6)(C)
- use text evidence to support an appropriate response;
- 128.2(b)(10)(D)
- edit drafts with adult assistance using standard Spanish conventions, including:
- 128.2(b)(12)(E)
- use an appropriate mode of delivery, whether written, oral, or multimodal, to present results.
- 128.2(b)(3)(C)
- identify and use words that name actions; directions; positions; sequences; categories such as colors, shapes, and textures locations.
- 128.2(b)(8)
- Multiple genres: listening, speaking, reading, writing, and thinking using multiple texts--genres. The student recognizes and analyzes genre-specific characteristics, structures, and purposes within and across increasingly complex traditional, contemporary, classical, and diverse texts.
- 128.2(b)(8)(D)(ii)
- titles and simple graphics to gain information
- 128.2(b)(8)(D)(iii)
- the steps in a sequence with adult assistance;
- 128.2(b)(1)(B)
- restate and follow oral directions that involve a short, related sequence of actions;
- 128.2(b)(1)(A)
- listen actively and ask questions to understand information and answer questions using multi-word responses;
- 128.2(b)(1)(C)
- share information and ideas by speaking audibly and clearly using the conventions of language;
This unit may address the following Texas College and Career Readiness Standards.
Social Studies:
- SS.I.F.1
- Use a variety of research and analytical tools to explore questions or issues thoroughly and fairly.
- SS.I.F.2
- Analyze ethical issues in historical, cultural, and social contexts.
- SS.IV.A.1
- Identify and analyze the main idea(s) and point(s)-of-view in sources.
- SS.IV.A.2
- Situate an informational source in its appropriate contexts (contemporary, historical, cultural).
- SS.IV.A.3
- Evaluate sources from multiple perspectives.
- SS.IV.B.3
- Gather, organize, and display the results of data and research.
- SS.V.A.1
- Use appropriate oral communication techniques depending on the context or nature of the interaction.
Cross-Disciplinary Standards:
- CDS.I.A.1
- Engage in scholarly inquiry and dialogue.
- CDS.I.B.3
- Gather evidence to support arguments, findings, or lines of reasoning.
- CDS.I.E.1
- Work independently.
- CDS.I.E.2
- Work collaboratively.
- CDS.II.C.2
- Explore a research topic.
- CDS.II.C.6
- Design and present an effective product.
- CDS.II.C.7
- Integrate source material.
- CDS.II.C.8
- Present final product.
- CDS.II.D.1
- Identify patterns or departures from patterns among data.
English Language Arts:
- ELA.III.A.5
- Plan and deliver focused, coherent presentations that convey clear and distinct perspectives and demonstrate sound reasoning.
- ELA.III.A.4
- Adjust delivery, vocabulary, and length of message for particular audiences, purposes, and contexts.
- ELA.III.A.2
- Engage in reasoned dialogue, including with people who have different perspectives.
- ELA.III.A.3
- Understand how style, register, and content of spoken language vary in different contexts and influence the listener’s understanding.
- ELA.IV.A.5
- Recognize fillers, intentional pauses, and placeholders in speech (e.g., um) and make inferences in context.
- ELA.IV.A.4
- Comprehend detailed instructions, explanations, and directions in a range of contexts (e.g., specialized contexts such as workplace procedures and operating instructions).
- ELA.IV.A.2
- Listen critically and respond appropriately.
- ELA.IV.A.3
- Develop an awareness of rhetorical and stylistic choices used to convey a message.
- ELA.V.C.1
- Integrate and organize material effectively.
- ELA.V.B.1
- Explore and collect a range of potential sources.
- ELA.V.A.2
- Explore and refine a research topic.
Mathematics:
- M.V.B.4
- Describe patterns and departure from patterns in the study data.
- M.V.B.2
- Construct appropriate visual representations of data.
- M.V.B.1
- Classify types of data.
- M.VII.C
- Logical reasoning
- M.VII.A.1
- Analyze given information.
Esta unidad puede abordar los siguientes estándares de Texas College and Career Readiness.
Social Studies:
- SS.I.F.1
- Usa una variedad de herramientas analíticas y de investigación para explorar exhaustiva e imparcialmente preguntas o temas.
- SS.I.F.2
- Analiza temas éticos en contextos históricos, culturales y sociales.
- SS.IV.A.1
- Identifica y analiza las ideas principales y los puntos de vista en las fuentes.
- SS.IV.A.2
- Ubica una fuente informativa en su contexto apropiado.
- SS.IV.A.3
- Evalúa fuentes desde múltiples perspectivas.
- SS.IV.B.3
- Reúne, organiza y muestra los resultados de los datos y la investigación.
- SS.V.A.1
- Usa técnicas apropiadas de comunicación oral según el contexto o la naturaleza de la interacción.
Cross-Disciplinary Standards:
- CDS.I.A.1
- Participa en el diálogo y la investigación académica.
- CDS.I.B.3
- Reúne evidencias para apoyar argumentos, hallazgos o líneas de razonamiento.
- CDS.I.E.1
- Trabaja de forma independiente.
- CDS.I.E.2
- Trabaja de manera colaborativa.
- CDS.II.C.2
- Explora un tema de investigación.
- CDS.II.C.6
- Diseña y presenta un producto efectivo.
- CDS.II.C.7
- Integra las referencias.
- CDS.II.C.8
- Presenta un producto final.
- CDS.II.D.1
- Identifica patrones o divergencias de los patrones entre los datos.
English Language Arts:
- ELA.III.A.5
- Plan and deliver focused, coherent presentations that convey clear and distinct perspectives and demonstrate sound reasoning.
- ELA.III.A.4
- Adjust delivery, vocabulary, and length of message for particular audiences, purposes, and contexts.
- ELA.III.A.2
- Engage in reasoned dialogue, including with people who have different perspectives.
- ELA.III.A.3
- Understand how style, register, and content of spoken language vary in different contexts and influence the listener’s understanding.
- ELA.IV.A.5
- Recognize fillers, intentional pauses, and placeholders in speech (e.g., um) and make inferences in context.
- ELA.IV.A.4
- Comprehend detailed instructions, explanations, and directions in a range of contexts (e.g., specialized contexts such as workplace procedures and operating instructions).
- ELA.IV.A.2
- Listen critically and respond appropriately.
- ELA.IV.A.3
- Develop an awareness of rhetorical and stylistic choices used to convey a message.
- ELA.V.C.1
- Integrate and organize material effectively.
- ELA.V.B.1
- Explore and collect a range of potential sources.
- ELA.V.A.2
- Explore and refine a research topic.
Mathematics:
- M.V.B.4
- Describe patterns and departure from patterns in the study data.
- M.V.B.2
- Construct appropriate visual representations of data.
- M.V.B.1
- Classify types of data.
- M.VII.C
- Logical reasoning
- M.VII.A.1
- Analyze given information.