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Description of Unit

In this task, students study how mathematics applies to architecture and the creation of designed environments. Students explore how various designs relate to human needs and functions by observing their environments, drawing, graphing, and taking measurements. Students research a period of architecture, a particular style, or a famous architect of their choosing and analyze the way the architect uses geometric forms and mathematical patterns in his/her works. In small groups, students work together to design and build a variety of architectural spaces within the classroom using simple materials such as dowel rods and fabric. Finally, students present their works to an audience by leading guided tours through their structures during an event called the “Designer’s Showcase.”

This guide links the Designing Spaces unit to the Texas Essential Knowledge and Skills (TEKS) for fifth graders. Designing Spaces is a mathematics unit that allows students to study the interconnectedness of mathematics and visual art in the field of architecture. Designing Spaces has interdisciplinary connections to Art, Social Studies, and English Language Arts and Reading disciplines. For example, students will develop and organize ideas from the environment, as outlined in the Fine Arts TEKS, compose original texts, as outlined in the English Language Arts and Reading TEKS, and understand the positive and negative aspects of modifications to an environment, as described in the Social Studies TEKS. The following document includes the applicable TEKS and the details of the Designing Spaces unit. The final section of this document presents the applicable Texas College and Career Readiness Standards adopted by the Texas Higher Education Coordinating Board (THECB) on January 24, 2008.

Phase I. Learning Experiences

  1. Introduce students to the unit by discussing the career path of an architect. In what ways is an architect like an artist? In what ways is an architect like a mathematician? Discuss the importance of both mathematics and aesthetics when designing spaces. Share images of architectural drawings and blueprints, describing each feature and how it relates to the real space. Introduce students to the concepts of positive and negative space and how these spaces can be described geometrically.
  2. Break students into small groups and equip them with measuring tapes, yardsticks, or rulers and graph paper. Ask each group to construct a blueprint for the interior of the classroom by working backwards and measuring the interior of the current space as well as furniture and other features of the room. Students should indicate where windows and doors are on the blueprint. Provide students with hard-to-reach measurements, such as the height of the walls, and/or width and length of the ceiling. Student should include measurements and units on their drawings (e.g., 60 inches).
  3. Write a journal entry for each of three different spaces (e.g., the student’s bedroom, a favorite store or restaurant, and a library or gym). Describe the interior of each space:
    • What shapes exist in both the positive and negative spaces?
    • Describe the lighting in the space. How does natural light enter the room? How do artificial light sources provide illumination?
    • How might you describe your feelings when you are in the space? What characteristics of the space might contribute to evoking those feelings?
    • What physical materials do you see used in the construction of the space (e.g., wood, metal, carpet, fabric)?
    • What colors describe the space? What sensory information contributes to the space (e.g., sounds, smells, temperature)?
    • What are some of the activities that are most likely to occur in the space? How many individuals might the space reasonably accommodate at any one time? What features exist in the space?
    • If you were redesigning the space, what might you change and why?
  4. Introduce students to the concept of mathematical patterns such as the Fibonacci sequence, and in particular how this sequence leads to the Golden Ratio or Golden Mean. Also known as phi, this number appears throughout nature, and has been used for centuries by artists, musicians, poets, and architects in designing/composing their works. Guide students in constructing a Golden Rectangle on graph paper by shading in the number of squares in the Fibonacci sequence. Students may want to use color codes to indicate the sequential order of the squares (e.g., the first (red) = 1, the second (yellow) = 1, the third (orange) = 2).
  5. Using the Fibonacci Rectangle as a visual aid, ask students to take the sequence of Fibonacci numbers and turn them into ratios (i.e., take the length of each square in the sequence over the length of the square that occurs just before it). In other words, for the squares represented by Fibonacci numbers 5 and 8, the length of the second square (8) becomes the dividend (numerator) and the length of the first square (5) becomes the devisor (denominator). Now, find the quotient (result) of dividing these ratios . Repeat this exercise with each of the color-coded squares in the Golden Rectangle. Plot the quotients on graph paper and describe the results.
  6. Conduct a scavenger hunt looking for Fibonacci Rectangles (the Golden Mean) in the design of the classroom, furniture, or objects. How many designs, if any, come close to using these proportions? How would students redesign a piece of furniture in the classroom using the Golden Mean?
  7. Conduct Internet research on the Fibonacci Sequence, the Golden Mean and architectural structures.
  8. Take students on a field trip to an interesting architectural structure and draw the structure’s façade using a variety of drawing tools. Guide students in observing how light helps give the building or structure form. Help students identify mathematical terms in their drawings such as angels, arcs, and line segments.
  9. Invite a guest speaker from a local architectural firm into the classroom to discuss the interconnections between mathematics and art in the designing of real buildings and spaces.
  10. Discuss contemporary issues related to architecture, such as the issues of private versus public space, and the architect’s responsibility to the surrounding community.

Phase II. Independent Research

A. Research process

  1. Selecting a topic. Form small groups based on the selected architectural styles or architects students wish to explore. Topics to consider may include:
    • Frank Lloyd Wright
    • Le Corbusier
    • Walter Gropius
    • Frank Gehry
    • Philip Johnson
    • Renzo Piano
    Each group will design and construct a walk-through structure in the classroom using simple materials such as dowel rods and fabric. The teacher will provide the initial dimensions to each group for the structure’s footprint and height allowances. These structures should:
    • transform the space,
    • incorporate the Golden Mean in some way, and
    • reference the architectural style and/or architects studied.
    How might you describe these various styles of architecture from a mathematics standpoint? What shapes do you observe? How many of the structures seem to employ the Golden Mean or another mathematical pattern?
  2. Asking guiding questions. Once students have identified the period of architecture they wish to study, or the specific architect, they should think of three to five guiding questions to explore, such as:
    • What were the primary activities that occurred in these architectural spaces and how did the design lend itself to these functions?
    • How did the architect build the structure using geometric forms?
    • What types of materials were chosen to build the structure and why might the architect have selected these items?
    • How might you redesign this structure and what modifications might you make to it?
    • What elements of these designs will you incorporate into your original architectural design to be built within the classroom?
    • What sorts of modifications will you need to consider that allow for the simple materials available for your use?
    • How will you allocate resources for building the structure— human resources, material resources, and time resources?
    • What might a budget look like for your structure?
    • How will you design your structure so that it is safe to build and use within the classroom?
  3. Creating a research proposal. Working in groups, students brainstorm and create drawings for the structure on graph paper and/or using a visualization software program such as Google Sketch Up. Students incorporate the Golden Mean in some element of the design and explain their decisions.
  4. Conducting the research. Collaborate with the librarian to provide books and/or websites with visuals on architectural styles and famous architects. Observe the construction of local buildings, make sketches of building facades, and take tours of the insides of public/historic buildings such as capital buildings, courthouses, sports arenas or churches. Interview individuals who use these spaces to identify what they find most useful about the design and what they might change.
  5. Sharing findings. Each group presents its building proposal to the class. The proposal should include:
    • drawings and prototypes,
    • an estimated budget and timeline for construction,
    • considerations for safety,
    • explanation of the function and purpose of the structure,
    • references to other architects or styles,
    • considerations on how their structure will impact the surrounding space (classroom), and
    • the intended look and feel of the space.
    Once the students have made their presentations, the class may discuss the proposals, ask questions and/or make suggestions and finally issue “building permits” that allow the group to begin construction of the actual structural installation.

B. The product

Each group will build the structure they designed using simple materials. Groups should observe safety practices such as wearing hard hats and eye protection, and observing classroom rules with regards to sharp tools, climbing, and/or standing on structures. Once all groups have completed construction, the class may hold a “Designer’s Convention” that serves as an open house for other classes or the public to come in and learn about the projects.

C. Communication

Each group leads an audience through a tour of their structure, describing the function, features, the historical background or references, the mathematical patterns employed in the design, and the overall goal with regards to “look and feel” that they attempted to achieve.

D. A completed project consists of:

  1. A building proposal consisting of
    •  project goal and function of the structure,
    • drawings/schematics,
    • prototypes of the structure,
    • a budget,
    • a timeline,
    • impacts to the surrounding area,
    • references to other architects or styles, and
    • safety considerations.
  2. Research notes
  3. Fibonacci Rectangle Maps and Golden Mean graphs
  4. Photographs or video of the structures
  5. Videos, audio files, or written transcripts of the student-led tours of the structures during the “Designer’s Convention” including student responses to the Q&A sessions.
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